The Alura Zooms’ color characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With the addition of these zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.

Main Features:

Matched Zooms
Matched wide and long PL mount zooms for an
efficient shooting pace
Small size and low weight for quick and easy handling
on the set
Optimized for digital and compatible with film cameras
Also available as a 3D matched pair
ARRI Lens Data System
Automatically provides lens metadata
Increases efficiency of VFX and 3D post
Fast and Steady
T2.8
Consistent aperture over entire zoom range
Outstanding Optical Performance
High resolution for 2K to 4K+ camera outputs
High contrast through minimized flares and veiling glare (FUJINON multi-layer EBC coating)
Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
Large image circle of 31.5 mm covers all current digital cameras
Low geometric distortion and even field illumination
9 iris leaves for round, out-of-focus highlights and a pleasing,
organic bokeh
Consistent contrast, resolution and field illumination across the whole focus and zoom range
Matched to all other ARRI zoom and prime lenses
Consistent Optical Performance
Consistent contrast, resolution and field illumination across
the whole focus and zoom range
Film Style Ergonomics
Compatible with film and digital ARRI cameras and accessories
Robust construction
Large, easy-to-read precision focus scales on both sides
Matched to existing prime lenses
Easy Servicing
Feet/meter focus scales can be exchanged
Zoom centering mechanism